Three ways wedding videography is changing: filmmakers shooting entire weddings on phones, everything having to work vertically, and AI quietly taking over the boring half of the edit.
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A full wedding day filmed on an iPhone 15 Pro Max, in the rain, in an active restaurant, with peacocks. Every piece of gear, every problem, and the honest verdict at the end of the night.
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Every menu on the Tascam DR-10L Pro, all 28 of them, with the setting I use and why. 32-bit float changes the answer on several of these compared to the original DR-10L.
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No rolling shutter, no flash tearing, far less flicker. The a9 III’s global shutter fixes three problems wedding filmmakers have worked around for years, and it hints at where Sony is going next.
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H.265 instead of ProRes, zebras at 95%, and the counterintuitive ISO trick that unlocks a full 14 stops of dynamic range out of an iPhone 15 Pro.
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Rode finally earned the PRO name. Real 32-bit float backup recording, genuinely good range and proper timecode. The lav clip and the seven hour battery are where it still falls short.
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