Nikon sued RED over internal RAW, settled, and has now bought the company outright. Here is my read on why RED sold and what changes for filmmakers.
Continue readingCanon R6 – The Video Camera You’ve Wanted For Years
Filmmakers spent five years asking for 4K, 60 frames per second, in full frame. Canon finally built it, put it in the cheaper of their two new bodies, and then I found out mid-recording that it has a crop after all.
Continue readingCanon R5 – A Sony Filmmaker’s Perspective
Full frame 8K RAW with no crop, 4K at 120, real IBIS, zebras, and a price Canon should have no business charging. After twelve years, a Canon camera has my attention again.
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