Filmmakers spent five years asking for 4K, 60 frames per second, in full frame. Canon finally built it, put it in the cheaper of their two new bodies, and then I found out mid-recording that it has a crop after all.
Continue readingCanon R5 – A Sony Filmmaker’s Perspective
Full frame 8K RAW with no crop, 4K at 120, real IBIS, zebras, and a price Canon should have no business charging. After twelve years, a Canon camera has my attention again.
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