Every custom button, mode dial preset, function menu slot and custom menu page I use on the Sony a7 IV, so the settings you need mid shoot are always one press away instead of five menus deep.
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Every menu in the Sony a7 IV, walked through from the perspective of somebody who has to shoot fast. What to change, what to ignore, and why, including the overheating setting almost everybody leaves wrong.
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Adobe Media Encoder 22.5 can shut your computer down after an overnight render, and it can ping your phone the second your export finishes. Here is how to turn both on.
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A dingy garage workshop turned into a filming space that actually sounds good. Rockwool, a mini split, 26 acoustic panels, blackout curtains, paper backdrops, and every light in the room.
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The proxy settings that actually work in Premiere Pro 2022, plus the new way to handle slow motion now that Adobe has disabled Interpret Footage in Media Encoder.
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The 135mm focal length is the most underappreciated one in wedding filmmaking, and f/1.8 on a lens this tight is genuinely special. Here is why I reach for it over a 70-200, and why you should still buy the 70-200 first.
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