How To Film A Same Day Edit Wedding Video!

How To Film A Same Day Edit Wedding Video!


We are out in the middle of nowhere Texas today, but you know how it is with Texas weddings. There are barns, flags, windmills, and most importantly, an incredible couple ready to get married.

Today, I’m bringing you behind the scenes to show you exactly how to film a Same Day Edit wedding video.

I’m hanging out with Matthew Reed, a fantastic filmmaker who is going to show us his workflow for capturing a wedding day and turning around a film the very same day. This is one of the best ways to provide unbeatable customer service and get guests talking about your work before the reception even ends.

The Strategy for Same Day Success

When you are filming for a same day edit, you have to be intentional from the moment you hit record. Matthew and his second shooter, Ryan, have a “clutch” trick: if they capture a shot they know they want in the edit, they immediately put their hand over the lens to create a black frame. When Matthew is culling later, he just looks for those black frames and knows the perfect clip is right before it.

Another interesting part of his workflow? He films everything in 30 frames per second. No 60fps slow-mo “crutch” here. Shooting at 30fps keeps his wedding reception workflow simple, maximizes his full-frame sensor, and makes timecode syncing with his Tentacle Sync system a breeze.

Getting the Narrative Early

To make a same day edit actually mean something, you need story. Matthew makes a point to pull the groom and bride for interviews early in the day. We’re talking six hours before the ceremony when everyone is still chilling. He asks about their history and their feelings, even touching on emotional subjects like the groom’s late father. This gives him heartfelt soundbites to anchor the edit before the “toast chaos” even begins.

If you want to make sure your films look as good as they sound, you need to be editing like a pro. Having that narrative locked in early is the first step.

The Ceremony and The “Texas Weather”

The ceremony was a beautiful, poetic event, despite the typical Texas weather. It started raining right as things kicked off, but Matthew was prepared. He kept his gear protected (including the hot shoe!) and managed to film through the drizzle. Even with the rain, the hand-fasting ceremony and the couple’s vows provided incredible content for the film.

Cranking Out the Edit

Once the reception starts, it’s crunch time. Matthew set up a DIY standing desk in the back of the room (propped up by some “Christian reading material” and his Pelican case) and started culling. He uses Adobe Premiere Pro to quickly slap clips together, keeping them to 2 to 3 seconds each to maintain a fast pace.

Since he’s working fast, he doesn’t have time for a deep color grade. He slaps on a LUT to get it looking cinematic quickly and adjusts the exposure. If you want to get that same professional look for your own films without spending hours in the color tab, check out my LUTs sales page.

The Big Reveal

The best part of a same day edit is the reaction. Matthew finished his 60-second edit, exported it, and walked it right over to the couple at their table. Seeing their faces as they watched their own wedding ceremony while still at the wedding was incredible. It makes all the “editing sweat” worth it.

If you’re interested in more behind the scenes action, you can see how I’ve handled other same day edit wedding videos in the past. It’s a lot of work, but the results speak for themselves.

48 Hours With The Panasonic S1 II: Is It A Game Changer?

48 Hours With The Panasonic S1 II: Is It A Game Changer?

48 Hours in Austin with the Panasonic S1 II: Is It The Real Deal?

Welcome to beautiful Austin, Texas! Panasonic recently invited me out for a “secret event,” and while I had a hunch we were getting a new camera, I wasn’t prepared for exactly how much they were about to drop on us! I didn’t even have to fly for this one since I live right down the road, which is a massive win!

The Surprise Reveal: Not One, But Two Cameras!

Panasonic didn’t just announce one camera; they announced two new full-frame powerhouses and a brand new lens! First up is the 24-60mm F2.8. Now, you might be thinking, “Matt, why not a 24-70?” Well, here is the kicker: this lens is only going to cost $900 new! Seeing high-quality L-mount glass become this accessible is huge for filmmakers on a budget!

Then we have the big boy: the brand new Panasonic S1 II. It has been years since the original S1 dropped back in 2018 or 2019, and this is a massive jump forward. But wait, there is more! They also announced the S1 II E (the “E” stands for Essentials). It packs many of the same features into a body that is about $700 cheaper! If you are trying to decide which one to buy, stay tuned because I am still putting them both through their paces!

First Impressions: Autofocus and Video Features

The first thing that struck me about the S1 II was the autofocus. It feels just like the excellent phase-detect autofocus we saw on the GH7, but now it is on a full-frame sensor! It was tracking people in weird poses and even staying locked on the back of people’s heads while skating at the park! It really feels like Panasonic has finally caught up to Sony in the autofocus department!

I also have to mention Open Gate. Panasonic is still the king of open gate and anamorphic shooting! While other brands seem to ignore it, Panasonic is leaning in hard. If you want to edit videos like a pro and need that extra vertical room for social media crops, the S1 II is going to be your best friend!

Speaking of making your footage look incredible, if you are looking to level up your colors, you definitely need to check out my wedding film LUTs. They work perfectly with Panasonic’s V-Log to give you that cinematic look instantly!

Is the S1H II Even Necessary?

One thing that surprised me is that the S1 II actually has a built-in fan. This has me wondering if we even need an S1H II! This camera is already a video beast with 15 stops of dynamic range (thanks to the Dynamic Range Boost mode) and incredible low-light performance. It feels like everything I loved about the GH7 but with that full-frame goodness we all crave!

Barbecue and Good Vibes

Of course, you can’t come to Austin and not eat. I took the crew over to Terry Black’s Barbecue, and let’s just say the beef ribs were life-changing! We even made a pilgrimage to Buc-ee’s because you haven’t truly experienced Texas until you’ve seen a gas station with 60 urinals and endless beaver nuggets!

If you want to see exactly what wedding filmmaking gear I’m currently using alongside cameras like this, be sure to check out my full gear guide! I’ve also posted deep-dive reviews for both the S1 II and the S1 II E, so go watch those for the full technical breakdown!

Thanks for coming along on this 48-hour whirlwind! This camera is a serious game changer for full-frame filmmakers!