The 135mm focal length is the most underappreciated one in wedding filmmaking, and f/1.8 on a lens this tight is genuinely special. Here is why I reach for it over a 70-200, and why you should still buy the 70-200 first.
Continue readingREDUNDANT & EXPENSIVE? Sony Lens Review For Filmmakers | 24mm 2.8, 40mm 2.5, 50mm 2.5
Sony’s 24mm f/2.8, 40mm f/2.5 and 50mm f/2.5 look redundant and overpriced next to the lenses they already sell. Here is why the build, the clickless aperture and the silent autofocus make them the ones I would buy for filmmaking anyway.
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