A wedding filmmaker’s review of the Sony 20-70mm F4 G: tiny, 488 grams, near-parfocal, and the wider-rather-than-tighter zoom range that makes it a great first Sony lens.
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Sponsored by QNAP. Three reasons a NAS beats a pile of external drives for video editing: an expandable storage pool, SSD-like speed over ten gig Ethernet, and real redundancy.
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A wedding filmmaker’s review of the Sony a7R V: the four axis screen, AI autofocus with human pose estimation, eight stops of IBIS, 8K video, and why it beats the a1 for thousands less.
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Nearly everything the FX3 does at close to half the price. The FX30 reviewed for weddings and documentaries: the fan, the dual card slots, Cine EI, the APS-C crop, the speed booster workaround and the low light trade-off.
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A hot take: the Sony 70-200 F4 is all you need for wedding ceremonies. Why the F4 aperture is not the problem you think it is, why the weight matters more, and how it stacks up against the f/2.8 GM II.
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The Philips SHP9500s are about 75 bucks, weigh almost nothing, and the open back design gives you a wider soundstage, which makes picking apart individual audio tracks in a timeline far easier.
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