Only one Apple laptop is worth editing 4K on, and once you have picked it, most of the expensive options on the configurator are not worth taking. Two builds, and the upgrades that actually matter.
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Four things I want from the Sony a7S III, and one thing I really do not: 4K 60 on SD cards, a fully articulating screen, S-Cinetone, and no overheating.
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Filmmakers spent five years asking for 4K, 60 frames per second, in full frame. Canon finally built it, put it in the cheaper of their two new bodies, and then I found out mid-recording that it has a crop after all.
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Full frame 8K RAW with no crop, 4K at 120, real IBIS, zebras, and a price Canon should have no business charging. After twelve years, a Canon camera has my attention again.
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Your eyes know that lamp is orange. Your camera has no idea. Here is what white balance actually is, why auto is the wrong place to leave it, and the four Kelvin numbers worth memorising.
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Apple is dropping Intel for its own chips, and whatever you edit in, it affects you. Three reasons why, written days after the announcement, with a scorecard at the end for how every one of my predictions actually turned out.
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