A wedding filmmaker’s review of the Sony a7R V: the four axis screen, AI autofocus with human pose estimation, eight stops of IBIS, 8K video, and why it beats the a1 for thousands less.
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Part two of my fast filmmaking settings series for the Sony FX30: the three custom modes, every custom button, the function menu and My Menu, so you never dig through menus on a shoot again.
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Part one of my fast filmmaking settings series for the Sony FX30: every menu, top to bottom, with the setting I use and why, so the camera is ready to shoot a wedding without you digging for anything.
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Track Club’s MixLab lets you change a song’s tempo, mute the instrument you do not like, and adjust every stem’s volume in your browser, then download a custom wav in one click.
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A step by step walkthrough of setting up a vertical timeline in DaVinci Resolve, scaling horizontal clips to fill the frame automatically, and the export settings that keep your Short looking sharp.
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Nearly everything the FX3 does at close to half the price. The FX30 reviewed for weddings and documentaries: the fan, the dual card slots, Cine EI, the APS-C crop, the speed booster workaround and the low light trade-off.
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