No rolling shutter, no flash tearing, far less flicker. The a9 III’s global shutter fixes three problems wedding filmmakers have worked around for years, and it hints at where Sony is going next.
Continue readingRode Wireless Pro Review – Worthy Of The “Pro” Title For Wedding Filmmakers
Rode finally earned the PRO name. Real 32-bit float backup recording, genuinely good range and proper timecode. The lav clip and the seven hour battery are where it still falls short.
Continue readingSTOP Making These Pricing Mistakes With Your Wedding Videos
Three pricing mistakes that keep new wedding videographers broke: not counting your real fixed costs, ignoring what your market can actually pay, and never offering a single add on.
Continue readingSmaller, Lighter, Better For Filmmakers – Sony 16-35 F2.8 GM ii Lens Review
An f/2.8 wide angle that weighs almost the same as the old f/4, with a barrel that barely extends, which means you stop rebalancing your gimbal every time you zoom.
Continue readingHave I Reviewed These Cameras Before? – Sony a7C ii & a7C R Review For Wedding Filmmakers
Full frame sensors from the a7 IV and a7R V in a much smaller, much cheaper body. Here are the real overheating numbers, measured in 100 degree Texas sun, and who should actually buy one.
Continue readingTascam DR-10L PRO Review – The Recorder You Need!
Smaller than the original, with double the batteries, 512GB cards, 32-bit float, Bluetooth and timecode, for twenty dollars more than the 2016 model. I measured 28 hours of battery life.
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