Everything the a7 IV borrows from the a7S III, the focus breathing feature that changes rack focusing, and an honest look at why Sony cropped 4K 60.
Continue readingSony a7 IV – A Wedding Filmmaker’s Review
Time To Film Weddings in SUPER 8?
Two reasons to put a Super 8 camera in your wedding bag, one reason not to, and the pricing threshold that decides which of those applies to you.
Continue readingMy a7S III DIED 😱 Wedding Filmmaking Behind The Scenes: Holly & Luke’s Wedding Part 3
A full wedding day in a thunderstorm, 100% chance of rain from open to close, and one a7S III that did not survive it.
Continue readingSony 50mm F1.2 GM Lens – A Wedding Filmmaker’s Review
I rented the Sony 50mm f/1.2 GM with my own money and shot a multi-day wedding with it. Here is how it compares to every other 50mm I have used, and the two things that stop it being the perfect lens.
Continue readingDestination Wedding Videography Gear Guide
Everything I packed to fly to a wedding in Northern California: three a7S IIIs and a Super 8 camera, three gimbals I cannot fully justify, four audio recorders, and the bags that make it all look like ordinary luggage.
Continue readingREDUNDANT & EXPENSIVE? Sony Lens Review For Filmmakers | 24mm 2.8, 40mm 2.5, 50mm 2.5
Sony’s 24mm f/2.8, 40mm f/2.5 and 50mm f/2.5 look redundant and overpriced next to the lenses they already sell. Here is why the build, the clickless aperture and the silent autofocus make them the ones I would buy for filmmaking anyway.
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