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A committed prime lens guy reviews the smallest and lightest 24-70 on the market, and finds out whether size and weight are enough to change his mind.
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Why your S-Log3 comes out noisy, plus two ways to rescue footage you already underexposed, one free and one worth paying for.
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A full job shadow of a Texas barn wedding shot on the unreleased a7 IV, including an actual fire, an 8K ceremony, and the audio setup that saves the toasts.
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A full day job shadow filming an elopement in Palo Duro Canyon on a prerelease a7 IV, including the fastest ceremony setup I’ve ever had to do.
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