A 32-bit float recorder small enough to hide on a bride’s dress, now with a real button, USB-C, Bluetooth, and timecode. Here is my review of the Instamic Pro Plus C from a wedding filmmaker’s perspective.
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A full frame zoom that holds f/1.8 across its whole range, with an internal zoom that makes it a gimbal lens. Here is my review of the Sigma 28-45, including the two complaints everyone had about it.
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30 hours of battery, a full color screen, a Sanken-modeled lav in the box, and the easiest timecode ecosystem going. Here is my review of the Deity PR-2, including why the US version is crippled.
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The same APS-C sensor as the a6700 and the FX30, in a 99 body. Here is my review of the Sony ZV-E10 II from a wedding filmmaker’s perspective, and an honest look at what Sony removed to hit that price.
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The RS4 Pro is the RS3 Pro plus one thing that actually matters on a wedding day: you can flip from horizontal to vertical in about ten seconds. Here is what that is worth, and who should skip it.
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The H1essential is the cheapest 32-bit float recorder you can buy at $99, but it is also the most limited. Here is who it is actually for, and the two recorders I would buy instead.
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