Which M4 iMac to buy for video editing, why the base model is the one to skip, and the two desktop Macs that beat it on value at either end of the price range.
Continue readingVideo Editing M4 iMac Buyers Guide 2025
How Much Passive Income I Made Selling Stock Footage In 2024
A full breakdown of the $9,916.18 I made selling stock footage in 2024, site by site, plus the one filming change that added almost $2,000 to my Artgrid income.
Continue readingSony’s a1ii Is Their Best Camera! But The Competition Has Caught Up…
A wedding filmmaker’s review of the Sony a1 II: what Sony refined, what they left completely untouched, and why Nikon, Canon and Panasonic have quietly pulled ahead on video.
Continue readingPremiere Pro LOG Color Grading INSTANTLY Without LUTs – Color Management Tutorial
How to set up color management in Premiere Pro so log footage from any camera comes in with contrast and saturation automatically, and stays that way on every project after.
Continue readingPremiere Pro Warp Stabilizer VS DaVinci Resolve Stabilizer – Here’s Which Effect Is Best!
Six rounds of Warp Stabilizer against the DaVinci Resolve stabilizer: how you apply them, how fast they analyze, how good they look untouched, and the export mistake that once ended up on a Times Square billboard.
Continue readingVideo Editing M4 Mac Mini Buyers Guide
Which M4 Mac mini to buy for video editing, why the $600 base model needs no upgrades at all, and the exact point where spending more stops making sense.
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