Shot at 24, 30 and 60 and now you have to slow every clip down one at a time? You don’t. Here is how to reinterpret all of your footage to one frame rate in a few clicks, and the proxy warning that comes with it.
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Three mistakes I keep seeing in the wedding films I review every month: burying people under detail shots, letting the ceremony kill your pacing, and cutting in shots that only serve you. Plus my own 20 minute ring shot disaster.
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Final Cut editors don’t hate the program, they’re just not excited about it anymore. Four reasons why, and what Apple could do about it.
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Five reasons DaVinci Resolve beats Premiere Pro, and the last one has nothing to do with price.
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I edit in DaVinci Resolve every day, and these are the five things Premiere Pro still does better. Panel customization, Adobe Media Encoder, project files, plugin support, and one genuinely spicy take about color grading.
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I’ve used Premiere Pro since CS5. Here’s what actually surprised me about DaVinci Resolve, including the one Premiere feature I still miss and the reason Resolve handles a crash so much better.
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