Was Michelle and Jerry’s wedding traditional, stuffy, and black tie? Not at all. It was authentically them, with a cowboy boot on every foot, a cake shaped like a dippin’ can, and a ceremony under the Texas sunset as their children, family, and friends watched.
Continue readingA wedding cinematographer’s review of the DJI Ronin-M
In case you haven't been paying attention, there is a total revolution going on in the world of camera stabilization. For five of the past six years, I have used, loved, and traveled with the Glidecam HD-4000 to every wedding I have filmed. Now, with the advent electronic gimbal stabilizers such as the Movi and Ronin, it is looking more and more like the Steadicams and Glidecams of the world are becoming obsolete. Weights, muscles, and basic physics are being replaced by motors, algorithms, and computers. Okay, maybe not the muscles, electronic gimbals are plenty heavy too.
With the release of the DJI Ronin-M, I decided to jump onto the electronic gimbal train and buy one for myself. For the past few months I've been putting it through the paces, filming weddings and testing it in a variety of scenarios. I'm sure you're wondering, does it live up to the hype? Is my Glidecam now gathering dust in the corner? Do I now wish my tripod and monopod were electronic in some way too?

Like most things in life, the answer to these questions isn't a simple yes or no. In terms of simplicity and ease of use, the Ronin beats my Glidecam handily. But when it comes to setup time and my style of filming, I still prefer the Glidecam. In the review video above, I break down these pros and cons, as well as fully compare the Ronin-M to my Glidecam HD-4000. And like my previous reviews, I keep everything in the context of my experience using it to film weddings.
So if you are a wedding videographer, cinematographer, uncle Bob with a camera in the back of the church, or basically anyone else that wants to learn more about the Ronin-M, I hope this video is helpful to you.
Thanks for watching! Please let me know if you have any questions or comments about the review video or the camera. If I don’t know the answer, I will do my best to find it out for you.
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Continue readingESTABLISHING SHOTS: Why they are important and how to film them!
To help the story be told as clearly as possible, I try to film establishing shots of all the locations on a wedding day.
Continue readingFrom the deer blind to the wedding aisle: a west Texas country wedding
If there’s one thing I’m thankful for Amalee and Todd reminding me of, its that weddings are not only a joining of two people, but of two families. And in their case, they are some of the nicest families I’ve ever met.
Continue readingHow to use LUTS to color grade Sony A7Sii, FS5, and a6300 footage in Premiere Pro CC
In the simplest terms, a LUT is a preset file that contains color, contrast, brightness, and saturation information in the .cube format. LUTs are used for a lot of reasons, including simulating film stock looks, emulating camera colors, or even color calibration. Today I’ll be showing you how to use them.
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