A walk around the B&H Build Expo floor in New York: Fuji’s medium format cinema camera with two screens, an eight foot monopod prototype, new Wandrd bags, an 8TB pocket SSD, and the fog machine I absolutely do not need.
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The Panasonic S1IIE puts the much loved S5II sensor into the new S1II body for $700 less. Here is how it holds up for wedding and documentary work, including my overheating tests in the Texas heat.
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The Lumix S1II gives you 6K 60fps full frame with no crop, internal ProRes RAW, open gate, and the widest dynamic range of any Panasonic full frame camera. Here is how it held up for paid work, including my overheating tests in the Texas sun.
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I have been a Windows guy since 1996. I bought the M4 MacBook Air with my own money to see whether it could actually edit 4K video, and it kept pace with my $5,000 desktop on battery at 36,000 feet.
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48 hours driving the Scottish Highlands on the wrong side of the road, in the rain, with a slowly deflating tire and about fifty video clips I accidentally deleted.
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Three M4 MacBook Air recommendations for 4K video editing at three price points, including the one I bought myself and the upgrade trap that should push you toward a MacBook Pro instead.
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