The iPhone Duo has fewer camera features than the iPhone 18 Pro, but its folding design, huge inner screen and Duo Preview make it the most fun iPhone I have used for photo and video in years.
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I tested the Sony ECM-W5 on the FX5 and at a real wedding: 32-bit float straight into the camera, monitoring with your own LE Audio earbuds, USB timecode, and the one setting that makes monitoring look broken.
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Sony and Panasonic never made an 85mm F1.2 with autofocus, so Sigma did. Here’s how the $1,600 Sigma 85mm F1.2 DG Art holds up for wedding filmmakers, how it compares to the F1.4 options, and the one reason to skip it.
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On paper the iPhone 18 Pro and 17 Pro are nearly identical, but for filmmakers and photographers the new sensor, F1.48 variable aperture and bigger vapor chamber make the 18 Pro a massive upgrade. Here’s who should buy it and who should keep their phone.
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The FX5 can’t take photos, and I think that one decision tells us exactly what Sony does next: an a7S IV with the FX5 sensor, a built-in viewfinder, and a price around $4,500.
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I recorded 4K 60 on the iPhone 18 Pro and 17 Pro side by side in the Texas sun. Both stopped at exactly eight minutes, but only one kept a usable screen.
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