Two export recipes for DaVinci Resolve: H.265 at double your frame rate for uploading, and H.264 at a much higher bitrate for client delivery, so nobody gets a file their computer cannot play.
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Horizontal footage on a vertical timeline, plus export settings that will not choke Instagram. Here is the full DaVinci Resolve 18 workflow for Reels, including the two Mismatched Resolution settings almost everybody misses.
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Adobe Media Encoder 22.5 can shut your computer down after an overnight render, and it can ping your phone the second your export finishes. Here is how to turn both on.
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The proxy settings that actually work in Premiere Pro 2022, plus the new way to handle slow motion now that Adobe has disabled Interpret Footage in Media Encoder.
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Every setting for exporting the best looking 1080p HD file out of Premiere Pro 2022, step by step, plus a free preset that does all of it for you.
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A full tour of my triple monitor standing desk editing setup, what everything cost, what I actually use, and what I’d change.
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