A video editor’s review of a 34 inch ultrawide, including why flat beats curved for editing, what 21:9 does to your 16:9 footage, and the two monitor setup I landed on.
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After ten years on a Zoom H4n, here’s the recorder that finally replaced it, what 32-bit float actually does for you, and why the price is the real story.
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A full job shadow of a Texas barn wedding shot on the unreleased a7 IV, including an actual fire, an 8K ceremony, and the audio setup that saves the toasts.
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A full day job shadow filming an elopement in Palo Duro Canyon on a prerelease a7 IV, including the fastest ceremony setup I’ve ever had to do.
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An elopement in the second largest canyon in the United States, and as far as I know the first wedding film ever shot on the Sony a7 IV.
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Google killed the unlimited plan I used to recommend, so here are the two online backup services I use now, one cheap with a catch and one expensive without one.
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