No rolling shutter, no flash tearing, far less flicker. The a9 III’s global shutter fixes three problems wedding filmmakers have worked around for years, and it hints at where Sony is going next.
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H.265 instead of ProRes, zebras at 95%, and the counterintuitive ISO trick that unlocks a full 14 stops of dynamic range out of an iPhone 15 Pro.
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Rode finally earned the PRO name. Real 32-bit float backup recording, genuinely good range and proper timecode. The lav clip and the seven hour battery are where it still falls short.
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Three pricing mistakes that keep new wedding videographers broke: not counting your real fixed costs, ignoring what your market can actually pay, and never offering a single add on.
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Everything Adobe showed for video at MAX: Firefly text to video, Fast Fill that adds a correctly lit tie to a moving subject, image to video, AI upscaling, and voice-preserving auto dubbing.
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An f/2.8 wide angle that weighs almost the same as the old f/4, with a barrel that barely extends, which means you stop rebalancing your gimbal every time you zoom.
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