Proxies make 4K editing smooth on any computer, even an old one on a slow external drive. Here are the exact settings, how to batch generate them in the background, and the one quirk that breaks them.
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Shot at 24, 30 and 60 and now you have to slow every clip down one at a time? You don’t. Here is how to reinterpret all of your footage to one frame rate in a few clicks, and the proxy warning that comes with it.
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The Precision 5680 is the Dell laptop I’d actually trust to color grade on, which is more than I can say for the XPS 17 I owned before it.
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Final Cut editors don’t hate the program, they’re just not excited about it anymore. Four reasons why, and what Apple could do about it.
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Five reasons DaVinci Resolve beats Premiere Pro, and the last one has nothing to do with price.
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I edit in DaVinci Resolve every day, and these are the five things Premiere Pro still does better. Panel customization, Adobe Media Encoder, project files, plugin support, and one genuinely spicy take about color grading.
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