Skip to content

Today I want to show you how to export extremely high quality 4K videos for YouTube, Vimeo, Facebook and everywhere else using Adobe Premiere Pro. And to save you time, I’ve created a set of free export presets that give you every one of these settings immediately, without you having to dial anything in manually. They even come with instructions showing you how to import them into Premiere. You can download those for free right here.

The New Export Tab In Premiere Pro 2022

Let’s open up Premiere. I’ve got a project with a 4K 24 frames per second clip imported and edited on the timeline, and let’s pretend this is a full video that I’m ready to export.

Premiere Pro timeline with a 4K clip edited and ready to export
A finished 4K timeline at 24 frames per second.

From there you can either press Control M on PC or Command M on Mac, or you can go up to the new Export tab that Adobe added in the 2022 version of Premiere Pro.

The Export tab in Premiere Pro 2022
The Export tab up top, new in the 2022 version.

If you don’t see an Export tab, you’re probably on an earlier version of Premiere and your export setup is going to look different than what you see here. Good news though, I have a separate walkthrough for 4K exports in the older versions of Premiere Pro.

Export Settings

With the export settings open, make sure the little blue toggle next to Media File is enabled, and then over on the right you can name your file. Let’s call this one my4kvideo.

Naming the export file in the media file settings
Toggle on, then name it.

Then click on Location and select where you want the file saved. This one is very important, because if you don’t choose a location you are not going to know where your rendered file ended up, so definitely pick a place you’ll remember and be able to find.

Choosing where to save the exported 4K file
Pick a folder you will actually remember.

With that done, go down to Preset and select High Quality 2160p 4K.

High Quality 2160p 4K preset selected
High Quality 2160p 4K is the starting point.

Then for Format, instead of leaving it set to H.264, click the dropdown and select HEVC (H.265), because that’s the newest format and it’s going to give you the highest video quality.

Format set to HEVC H.265
HEVC (H.265). This is the change that lets everything else work.

At this point you’re probably thinking, this is great Matt, I’ll just hit Export in the bottom right corner and I’m ready to go. No. Because remember, I told you at the start that I want to give you the best possible export settings, and by default Adobe is not going to give you the best. So we need to dig into the video settings. If yours doesn’t already show them, click the Video tab and you’ll see everything I have. And hold onto your beard for a bit, things are going to get a little complicated, but trust me, this is really important and I’m going to walk you through all of it.

Starting off, for Frame Size make sure 3840 by 2160 is selected. If your settings are grayed out and yours looks different from mine, click any of the checkboxes next to them and that will let you change them. For Frame Rate, make sure it’s set to 23.976, and for aspect, Square Pixels.

Frame size set to 3840 by 2160 with 23.976 frame rate and square pixels
3840 by 2160, 23.976, square pixels.

Next, if you don’t see the rest of these settings, click the More button and that’ll open them up. Then make sure Render At Maximum Depth is checked and Use Maximum Render Quality is checked. Both of those help enhance the quality of your file, and you definitely want the highest quality video, which is why you’re reading this.

Render at Maximum Depth and Use Maximum Render Quality checked
Both boxes checked. It costs you nothing but render time.

Under Encoding Settings, for Performance make sure Hardware Encoding is selected. If that’s not available and you can only select Software Encoding, that’s okay. But selecting hardware encoding lets you render dramatically faster, because Premiere is going to use your computer’s graphics card, so I highly recommend it whenever it’s available.

Encoding settings dropdown showing hardware and software encoding
Hardware encoding puts your graphics card to work.

For Profile, make sure it’s set to Main. If you click there you’ll see you also have Main 10, but Main 10 requires an HDR exporting workflow, which is a whole lot more complicated, and for 99.9% of people Main is going to look great.

Profile dropdown showing Main and Main 10
Main, unless you are actually doing an HDR workflow.

For Level, leave it at 5.1. But for Tier, change it from Main to High, which unlocks your bitrate so you can export at even higher quality. And lastly, for HDR Graphics White Level, leave it set to 100. If it’s set to something else, put it back to 100.

Tier changed from Main to High
Tier goes to High. That's what unlocks the bitrate.
HDR Graphics White Level set to 100
Leave this at 100.

Now down to the bitrate settings, and this is the biggest and most important setting of them all, the one that affects the quality of your videos the most whenever you export.

If you want the highest possible video quality, for Bitrate Encoding select CBR, which stands for constant bitrate, meaning Premiere is always telling your video to be as high quality as it possibly can.

Bitrate encoding dropdown showing CBR and VBR options
CBR, constant bitrate, so Premiere never eases off.

Then, if you’re uploading to YouTube or another site online and you want to guarantee the highest possible quality, set your Target Bitrate to 50. In the past, back when we were using the older H.264 codec, I would have told you to export at 100 megabits per second. But because we’re now using HEVC, which is a newer and much more efficient codec, you can export at half that bitrate and get there.

Target bitrate set to 50 megabits per second
50 Mbps at 24fps. HEVC gets you there on half of what H.264 needed.

This is going to give you a reasonably large file. If you look under the estimated file size section, it’s telling me this clip is going to be 16 megabytes and it’s only a few seconds long, so you can get an idea of how that scales. Trust me though, the bigger file is completely worth it if you want the highest quality 4K video whenever you upload.

Estimated file size shown in the export preview panel
16 MB for a few seconds. It adds up, and it's worth it.

The Secret To The Highest Quality Videos On YouTube

Speaking of the highest quality videos on YouTube, here’s the part almost nobody knows. Even if you did not film your video in 4K, and you filmed it in 1080p for example, I would still recommend using these 4K export settings for basically everything you upload to YouTube.

Here’s why. If you upscale your lower resolution files to 4K and then upload them, YouTube uses a significantly higher bitrate whenever it plays your video back, and the quality is going to be dramatically better than if you had uploaded the same video in HD. So in short, always upload to YouTube in 4K, and you can do that for pretty much any other site too, Facebook, Vimeo, whatever. It will pretty much always help you to upload in 4K.

If you’re not using this one, I went through How To Export 4K Video In DaVinci Resolve 18 For YouTube, Facebook, Vimeo, & Clients as well.

If you genuinely do need a 1080p file, for a client to use internally or something that isn’t going up on a streaming site, I have a full HD export walkthrough over here instead.

Lastly, keep in mind that 50 megabits per second is just the bitrate I recommend if you’re exporting at 24 frames per second. If you’re exporting at 30 frames per second, I’d bump it to 60 megabits per second, and for 60fps footage I’d export at 120. Basically, whatever your frame rate is, your bitrate should be double that number and you’re good. Shout out to Casey Faris for that way of thinking about bitrates, it’s really easy to remember.

With that, make sure Quality is set to Highest (slowest), and those are all your video settings.

Quality setting changed to Highest slowest
Highest (slowest). Slower render, better file.

Next, go down to the Audio tab and make sure Audio Format is AAC, Audio Codec is AAC, Sample Rate is 48000 Hz, Channels is Stereo, and Bitrate is 320 kbps. These should already be selected by default, but it doesn’t hurt to check.

Audio settings with AAC selected
AAC, 48000 Hz, Stereo, 320. Usually already correct.

And congratulations, your settings are all done and you’re about ready to export.

But if you want to save time and avoid dialing all of this in every single time, you have two options. First, you can download my free presets, which give you everything we just covered. Or you can make your own by saving the settings we just built.

To do that, go up to the Preset dropdown, click the three dots to the right of it, click Save Preset, and give it a name. I go with the codec, the resolution, the frame rate and the bitrate, so something like h265, 4K, 24fps, 50mbps, whoismatt.

Save Preset dialog with the 4K preset name typed in
Name it so future you knows exactly what it does.

Press OK, and from then on, any time you want to export with these settings you can just go to the preset dropdown and select it.

Preset dropdown showing the saved custom 4K export preset
One click from here on out.

Then go down and either select Send To Media Encoder or Export, and your video is done. That’s it.

Output summary with Send to Media Encoder and Export buttons
Send To Media Encoder to queue it, Export to render right now.

Wanna Edit Videos Like A Pro?

Can I help you out even more though? I’ve put together a free guide called Edit Videos Like A Pro that walks you through some of my biggest tips as a video editor. These things took me years to learn, but you can use this guide to take a huge shortcut. You can download it completely for free right here.

WhoisMatt LUTs end card over a wedding film clip
Graded with my own LUTs.

The footage here is graded with my own color presets, which live at whoismatt.com/luts. If you don’t have Premiere Pro yet, you can download a free trial here. My full gear list is on kit.co, I have filmmaking courses if you want to go deeper, and if you film weddings, come join us in the Learn Wedding Filmmaking Facebook group.

Thanks so much for reading, and have a great day!

I’m required to state that I’m a part of affiliate programs for Amazon, Musicbed, Artlist, Audiio, Epidemic Sound, B&H, Best Buy, Adorama, SoundStripe, Sweetwater, Filmmaker’s Academy, and Adobe and that some of the links above are affiliate links and YouTube may compensate me for using shopping tags in this video.

FREE GUIDE: Edit Video Like A Pro

Enter your email below for a free download of my Edit Video Like A Pro Guide

    When you signup, I'll be sending you emails with additional free content. Unsubscribe at any time.