Shot at 24, 30 and 60 and now you have to slow every clip down one at a time? You don’t. Here is how to reinterpret all of your footage to one frame rate in a few clicks, and the proxy warning that comes with it.
Continue readingShot at 24, 30 and 60 and now you have to slow every clip down one at a time? You don’t. Here is how to reinterpret all of your footage to one frame rate in a few clicks, and the proxy warning that comes with it.
Continue reading